'Hotel California' was the title track of the Eagles' most successful regular album (though second overall to the astronomical sales of Eagles/Their Greatest Hits 1971-1975) and a chart-topping hit in its own right. It also featured one of the more mysterious lyrics of a popular song in the 1970s. Like much of the Eagles' output, Hotel California was an implicitly autobiographical album of songs about the group's rock & roll lifestyle. Their songs tended to be both lascivious and prudish, detailing excesses and then disapproving of them, and the tunes that comprised Hotel California were no exception. As the leadoff track, the title song was a proper introduction to an album that would contain other material in the same vein, such as 'Life in the Fast Lane' and 'Wasted Time.' The song is built on a modified reggae beat that is not quite as syncopated as conventional reggae, with a distinctive guitar riff that recalls some of David Gilmour's favorite licks. It sounds as if, prior to composing the song, the members of the Eagles listened closely to Pink Floyd's Wish You Were Here and Bob Marley & the Wailers' Rastaman Vibration, both recent hit albums, and combined elements from each. Over the catchy result, Don Henley sings the song's nightmarish lyrics. The narrator, driving at night on the desert, grows tired and stops at a hotel. Things are immediately disturbing: He is greeted by a woman who leads him to his room as he thinks to himself, 'This could be heaven or this could be hell.' In the succeeding verses, the scene becomes increasingly strange until the narrator attempts to escape, only to be told that he can't leave. The song concludes with an extended twin-guitar coda. The lyrics had the tone of a drug reverie and were filled with references to intoxicants and excess, but they also referred to criminality and imprisonment. The Hotel California seemed to be a metaphor for the world encountered by the bandmembers, who had come from other places. (Henley was from Texas and co-author Glenn Frey from Michigan. Don Felder, who wrote the guitar riff, was a Florida native.) It was a world they found fascinating and dangerous, but which they ultimately condemned without being able to escape. The ambivalence of that stance came out in the song. The Hotel California album was released on December 8, 1976, and went to number one in early 1977, eventually selling more than ten million copies. 'Hotel California' the song was released as a single on March 12, 1977, and also hit number one, going gold. There have been a handful of covers of the song over the years, including a particularly interesting version by the Gipsy Kings on the 1990 Elektra Records label celebration Rubiyat -- Elektra's 40th Anniversary and one by R&B artist Al B. Sure! on his Private Times..and the Whole 9! album. But the songs remain closely associated with the Eagles, who re-recorded it on Eagles Live (1980) and Hell Freezes Over (1994), and included it on Eagles Greatest Hits, Vol. 2 (1982).

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• Eagles Hotel California Album Download Video

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Eagles Hotel California Album Mp3 Free Download

Album-Release:
1976

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Label:Warner Music Group

Genre:Rock

Subgenre:Classic Rock

And, after some albums consisting of the old hits, The Eagles released Long Road Out of Eden (2007), their first album of new material since 1979. Studio Albums Hotel California (40th Anniversary Expanded Edition). The Eagles continued that success and hit their commercial peak in late 1976 with the release of Hotel California, which would go on to sell more than 16 million copies in the U.S. Alone and more than 32 million copies worldwide. The album yielded two number-one singles, “New Kid in Town” and “Hotel California.”. [Bm F# A E G D Em B] Chords for Hotel California - The Eagles (1976) with capo transposer, play along with guitar, piano, ukulele & mandolin. Hotel California is the fifth studio album by American rock band the Eagles, and is one of the best-selling albums of all time. Three singles were released. The Eagles' Hotel California was a critical and commercial phenomenon when it was released in December 1976. The album topped the Billboard charts for. Music Downloads. Search and download from over 6 million songs, music videos and lyrics. Largest collection of free music. All songs are in the MP3 format and can be played on any computer or on any MP3 Player including the iPhone. Live concert albums of your favorite band. Learn how to download music and how to burn music.

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• 1Hotel California06:30
• 2New Kid In Town05:04
• 3Life In The Fast Lane04:45
• 4Wasted Time04:55
• 5Wasted Time Reprise01:23
• 6Victim Of Love04:10
• 7Pretty Maids All In A Row03:58
• 8Try And Love Again05:10
• 9The Last Resort07:31
• Total Runtime43:26

Eagles Hotel California Album Download Video

Info for Hotel California (Remastered)

Hotel California was arguably the band's best single album - it was certainly the Eagles' biggest original disc - and it also underscored the band's need to make a big statement. The title tune reflected the album's theme of paradise lost in California, painting this picture with a musical arrangement that punctuated strumming guitars with dramatic drums, and perhaps the band's most famous lyric: You can check out any time you like, but you can never leave. New Kid in Town was an equally fine albeit much more traditional Eagles ballad. Life in the Fast Lane aspired to hard rock but largely gunned its engine without taking off. The rest is okay, but nothing more than secondary Eagles songs that happened to be nestled into the album that came to define the `70s supergroup.
In pursuit of note-perfect Hollywood-cowboy ennui, the Eagles spent eight months in the studio polishing take after take after take. As Don Henley recalled, 'We just locked ourselves in. We had a refrigerator, a ping-pong table, roller skates and a couple of cots. We would go in and stay for two or three days at a time.' With guitarist Joe Walsh replacing Bernie Leadon, the band backed off from straight country rock in favor of the harder sound of 'Life in the Fast Lane.' The somber 'New Kid in Town' ponders the fleeting nature of fame, and the title track is a monument to the rock-aristocrat decadence of the day and a feast of triple-guitar interplay. 'Every band has their peak,' Henley said. 'That was ours.' (Rolling Stone Magazine)
The Eagles took 18 months between their fourth and fifth albums, reportedly spending eight months in the studio recording Hotel California. The album was also their first to be made without Bernie Leadon, who had given the band much of its country flavor, and with rock guitarist Joe Walsh. As a result, the album marks a major leap for The Eagles from their earlier work, as well as a stylistic shift toward mainstream rock. An even more important aspect, however, is the emergence of Don Henley as the band's dominant voice, both as a singer and a lyricist. On the six songs to which he contributes, Henley sketches a thematic statement that begins by using California as a metaphor for a dark, surreal world of dissipation; comments on the ephemeral nature of success and the attraction of excess; branches out into romantic disappointment; and finally sketches a broad, pessimistic history of America that borders on nihilism. Of course, the lyrics kick in some time after one has appreciated the album's music, which marks a peak in The Eagles' playing. Early on, the group couldn't rock convincingly, but the rhythm section of Henley and Meisner has finally solidified, and the electric guitar work of Don Felder and Joe Walsh has arena-rock heft. In the early part of their career, The Eagles never seemed to get a sound big enough for their ambitions; after changes in producer and personnel, as well as a noticeable growth in creativity, Hotel California unveiled what seemed almost like a whole new band. It was a band that could be bombastic, but also one that made music worthy of the later tag of 'classic rock,' music appropriate for the arenas and stadiums the band was playing. The result was The Eagles' biggest-selling regular album release, and one of the most successful rock albums ever.
Don Henley, vocal & drums
Don Felder, guitar & vocals
Glenn Frey, guitar, vocals & keyboards
Joe Walsh, guitar, vocals & keyboards
Randy Meisner, bass & vocals
Producer: Bill Szymczyk
Recorded at Criteria Studios, Miami & The Record Plant, Los Angeles.
Mixed in Miami.
Engineers: Allan Blazek, Bill Szymczyk, Bruce Hensal, Ed Mashal
CCD Mastering by WCI Record Group.
Digitally remastered 2011.
Rolling Stone 500 Greatest Albums of All Time - Rated 37/500!

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